Tutorials - The Art and Technique of Digital Color Correction - page 476

Fig. 12.4 Tektronix waveform monitor of “Ghost_SWAT” image.

Fig. 12.5 DaVinci Resolve internal RGB Parade waveform monitor. Fig. 12.6 DaVinci Resolve internal vectorscope image.

and the thumbwheels) starts to give a very dark feel, and the
detail in the shadows becomes completely lost. Bringing it up
to the 0.15 range makes the action seem like part of a sitcom.
It's much easier to see good detail in the shadows though. And
if you take the gamma level way up to the 0.40 or 0.50 range,
you can see in the RGB Parade that there is actually quite a bit
of cyan in the shadows. You'll see that the weakest (closest to 0)
channel is the red channel and that the green and blue chan-
nels are higher. Green plus blue is cyan and the opposite of red