Contributor Biographies - 3D Postproduction: Stereoscopic Workflows and Techniques - page 229

Ted Kenney
Ted Kenney creatively and logistically manages clients through all phases of
the 3D production process and has established a reputation as the industry's
leading producer/director for 3D live broadcast. Ted's production credits
span across nearly every genre from i lm to television, scripted entertainment
to live events. Whether producing a i lm such as U23D, or directing live
action events such as FIFA World Cup Beach Soccer, Ted seamlessly integrates
both creative vision and logistical expertise into every production. Recent
achievements have included producing the concert portion of the Katy Perry
Part of Me , and producing and directing Britney Spears: Femme Fatale Tour
for EPIX, and Alter Bridge at the Wembley Arena in the UK. He is noted
for producing and directing the i rst live concert broadcast in 3D, The Black
Eyed Peas at the Staples Center, and the i rst six episodes of the Guitar
Center Sessions featuring Peter Gabriel, Jane's Addiction, Buddy Guy, The
Cult, Joe Bonamassa, and Kenny Wayne Sheppard. Both shows took home
top honors at the International 3D Creative Arts Awards. The Black Eyed
Peas production won Best Live Event of the year, while the Guitar Center
Shows won Best Music series. Ted also directed John Fogerty's acclaimed
return to the Royal Albert Hall in London.
Eric Kurland
Eric Kurland is an award-winning independent i lmmaker, President of the
Los Angeles 3D Club, and Director of the LA 3D Movie Festival. Operating
out of a Secret Underground lair in Los Angeles, he specializes in 3-DIY (do-it-
yourself 3D) and consults on every stage of 3D production and postproduction,
from development through exhibition. His 3D postproduction clients have
included National Geographic, Nintendo, and NASA's Jet Propulsion
Laboratory. He has worked as 3D director on three music videos for the
band OK Go, including the Grammy nominated All Is Not Lost , and he was
the lead stereographer on the Oscar-nominated 20th Century Fox theatrical
short Maggie Simpson in The Longest Daycare .
Jonathan Shaw
Editor/Producer Jonathan Shaw, A.C.E. simultaneously entered the worlds
of feature i lm editorial— And 3D —with Jaws 3D . The hook was set! A chance
to tell stories with the ultimate visuals drew Shaw into Large Format and
back to 3D—editing i ve Large Format i lms including 3D i lms: T-Rex Back
to The Cretaceous, Siegfried and Roy: The Magic Box and Sea Monsters . 4D
(ride) i lms include—“The Secret Formula” (Coca Cola) and “Sea Monsters;
The 4D Experience” (Nat Geo). As a 3D producer Shaw has worked with