Notes - Game Play: Paratextuality in Contemporary Board Games - page 188

64 Shefrin, “ Lord of the Rings, Star Wars , and Participatory Fandom,” 262, citing
Jenkins, “Transmedia Storytelling.”
65 Kenneth Hite, “Another Form of Story Telling,” presentation at Capricon 34 ,
Wheeling, IL, 2014.
66 Salen and Zimmerman, Rules of Play , 462, my emphasis.
Chapter 3
1 Adam Brown and Deb Waterhouse-Watson, “Reconiguring Narrative
in Contemporary Board Games: Story-Making Across the Competitive-
Cooperative Spectrum,” Intensities: he Journal of Cult Media 7 (2014), https://
intensitiescultmedia.iles.wordpress.com/2014/08/2-brown-and-waterhouse-
watson-reconiguring-narrative-pp-5-19.pdf.
2 Marie-Laure Ryan, “Transmedial Storytelling and Transictionality,” Poetics Today
34, no. 3 (2013), http://users.frii.com/mlryan/transmedia.html.
3 Chrisy Dena, “Current State of Cross Media Storytelling: Preliminary
Observations for Future Design,” European Information Systems Technologies
Event , 2004 (accessed June 06, 2013), http://www.christydena.com /Docs/DENA_
CrossMediaObservations.pdf.
4 Jason Mittell, “Transmedia Storytelling,” Complex TV: he Poetics of Contemporary
Television Storytelling , pre-publication edition, MediaCommons Press, 2012
(accessed May 13, 2013), http://mediacommons.futureothebook.org/mcpress/
complextelevision/transmedia-storytelling/, ¶48-56.
5 Kevin Veale, “Capital, Dialogue, and Community Engagement— My Little Pony:
Friendship Is Magic Understood as an Alternate Reality Game,” Transformative
Works and Cultures 14 (2013), http://dx.doi.org/10.3983/twc.2013.0510, ¶1.8.
6 Salen and Zimmerman , Rules of Play, 6.
7 Salen and Zimmerman , Rules of Play, 503.
8 Booth, Digital Fandom ; M. J. Clarke, Transmedia Television: New Trends in
Network Serial Production (New York: Bloomsbury, 2013); Elizabeth Evans,
Transmedia Television: Audiences, New Media, and Daily Life (New York:
Routledge, 2011); Jenkins, Convergence Culture ; Jenkins, Ford, and Green,
Spreadable Media .
9 Ryan, “Transmedial Storytelling”; Price, “With Strange Aeons.”
10 Jenkins, “Transmedia Storytelling,” ¶3.
11 Jenkins, Convergence Culture , 95-96.
12 Edward Branigan, Narrative Comprehension and Film (New York: Routledge,
1992), 17-20.