Graphics Programs Reference
In-Depth Information
III: Sharpening
• Choose a sharpening method and sharpen according to i le size, image
content and output specii cations.
Note:
By using smart i lters
users can re-edit
sharpen settings for
various needs: web,
print, screen, etc.
IV: Set Your Print Driver for Color Managed Output
• Select: Color management strategy, rendering intent, proi le and media
type.
Method 1: Photoshop Managed Color
Method 2: Printer Managed Color
Method 3: No Color Management (specii c to newest Epson printers:
Advanced Black and White Mode)
V: Tweaking
• Evaluate the print under the correct lighting source.
• Return to Photoshop to make digital darkroom adjustments and corrections
based on the printed results.
• Reprint and repeat until satisi ed.
B. Printing from Lightroom
Easy! Size, Sharpen, And More All In A Single Unii ed Interface
I: Print Job
• Select: Color Management strategy, rendering intent, proi le and media
type.
Method 1: Photoshop Managed Color
Method 2: Printer Managed Color
II: Tweaking (See V: Tweaking above)
Drydown
As many i ber-based silver prints tended to dry down a bit darker, digital
papers sometimes have a similar ef ect.
Try to give a print enough time to set before you do any major evaluations to
be sure it has stabilized.
A. Photoshop Printing Workl ow
I. Set Image Size and Resolution
Image size in Photoshop
Whether the i nal output destination of your image is to an inkjet printer,
of set press, Iris printer or even the web, understanding image size and output
resolution is an extremely important lesson. A digital image, whether from a
digital camera or from a i lm scanning device, has a i nite number of pixels set
in width and height dimensions. This number is determined by the camera
or scanner capture settings. If you chose to shoot in Raw format with a digital
 
 
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