Creating Looks - The Art and Technique of Digital Color Correction - page 425

Fig. 10.47 Jannotta's
primary correction.
Fig. 10.48 Data from the Primary room.
desaturate that a bit. I like what's happening there. Maybe not the areas
it's happening in, but I like that blend of the warm with the more neu-
tral. Let's watch it as it moves. Yeah, not too bad,” he says approvingly
before he pulls down the mitten shape to include more of the football
( Figure 10.49 ).
Pete Jannotta
Pete Jannotta has worked in the television industry since 1975 and has been a colorist
for almost 30 years. Jannotta has worked with a myriad of color correction systems,
including every permutation of DaVinci since its inception.
Jannotta was a colorist at Editel Chicago for 13 years, working on national and
international advertising accounts, until becoming a partner at Skyview Film and Video,
where he continued to hone his craft for ten years, working with A-list clients from Chi-
cago as well as all over the Midwest and the world.
Currently, Jannotta is a senior colorist at the Filmworkers Club in Chicago, where he
continues to work on advertising accounts as well as feature films, documentaries, and
music videos.