Creating Looks - The Art and Technique of Digital Color Correction - page 426

Fig. 10.49 The final look
in secondaries, though the
correction to the outside of
the vignette is made later.
Fig. 10.50 Data from the inside of the vignette in the Secondary room.
“I'm thinking the blacks are too compressed on the inside, but boy, I
like the hand that way. Jannotta goes to the color effect room and adds
sharpness, bringing it down a little from the default sharpness setting
( Figure 10.51 ).
As a final touch, Jannotta proposes one last change: “I feel like adding
blue to the outside. It's going to pop the ball more and his hand. It doesn't
necessarily make sense that it's that desaturated on the right side but it's
interesting” ( Figure 10.52 ).