Correcting Shots - The Art and Technique of Digital Color Correction - page 287

Fig. 7.36 Secondary to lower highlights on bricks in upper left of picture.
Fig. 7.37 Data from secondary correction.
him, grab the outside of that window, and start coming down see what
would happen. So I'm going to position the circle around him and her and
soften it. Now I want to affect the outside of the window” ( Figure 7.35 ) .
In the continuing saga of correcting with sharp or softened edges on
vignettes, Pepperman lands in the “keep it sharp so I can see it” camp. “All
I'm doing right now is going down as far as I can to see what the back-
ground looks like ( Figures 7.36 and 7.37 ). I'm liking what I see, because
it's bringing those subtle details. I like the coolness temperature on the
building. I like the fact that the midrange is really helping it out. I like
the fact that I'm seeing the areas of the picture that were clipped before.