Correcting Shots - The Art and Technique of Digital Color Correction - page 286

Fig. 7.34 Pepperman's primary correction.
Fig. 7.35 Secondary correction outside the window.
second thing that I would do is isolate about three-quarters of the picture.
I would build a window around him and her and knock the background
down. Because what I want to do is bring that clip down and I also want to
add some depth, some midrange to the building in the back, and try to give
it a little more guts. The background I would consider as thin and I want to
try to help that out. The way I would do that . . . well, there are a couple of
ways, but the easiest way for me quickly is just to build a window around