Secondaries with the Pros - The Art and Technique of Digital Color Correction - page 217

Fig. 6.18 Final primary correction.

Fig. 6.19 FinalTouch UI showing primary data.

The trend, I felt, was that in independent film it was more about
setting the mood and emotion.

- Mike Matusek, Nolo Digital Film

Matusek switches between the original source and his correction
( Figure 6.18 ) . “See? That's getting a lot moodier.”