Graphics Programs Reference
In-Depth Information
4.
Tu r n on t he v i s ibi l it y of t he Vibr a nce a dju st -
ment layer. This adjustment selectively boosts
the saturation in the image. Set it to Overlay
mode to dramatically increase the saturation
of the image.
5.
Tu r n on t he v i s ibi l it y of t he Gr a d ient M a p
adjustment layer. This adjustment tints the
image. Set it to Hue mode to shift the colors
in a gentle way.
Feel free to experiment with different combina-
tions of blending modes and Opacity settings.
This sample image provides just a quick glimpse
into the power and flexibility of blending modes.
Now that you have a little practice with blend-
ing modes, it's time to explore their creative and
production side in greater depth. Blending modes
are part of a professional's workflow. The next
three sections showcase a few different ways to
better integrate blending modes for professional
results.
video 57:
Blending Modes
in Action
DESIGN “RULES” FOR BLENDING MODES
RULE#1—DON'TTRYTOMEMORIZEHOWEACHBLENDINGMODEWORKS. The good news is that they are grouped by
similar traits. As you make your way through the list, you will notice a gradual progression through styles. The
first group darkens your underlying image, whereas the second lightens it. The third set adds contrast, and the
last two generate dramatic results by comparing or mapping values. Depending on your sources, some blending
modes will generate little or no results. Sound confusing? Keep reading.
RULE#2—EXPERIMENT. The best way to use blending modes is to just try them out. Clicking through a long menu
is boring. A much better alternative is to select the Move tool and then use the Shift++ keyboard shortcut.
RULE#3—EXPLOITTHEM. Do you need to tint an image? Place a solid or gradient on top of the image and change
to Hue or Color mode. Need to drop out white in a layer? Just set it to Multiply mode. Blending modes are avail-
able for every filter (choose Fade Filter from the Edit menu) and all the Brush tools.
