Preparation - Stop Motion: Passion, Process and Performance - page 167

The Africa Club from Hamilton Mattress being built and animator Will Hodge at work in it.
an orchestra was in the ocean, although might that same audience not wonder how a i lm crew
got there? The sets of The Wind in the Willows were so designed to be l exible enough that we
were able to place a bulky camera absolutely anywhere, but there are some places that a camera
just cannot, even in the illogical world of animation, logically go. Ratty's house had a noticeable
desk against a wall that had sea charts and the like behind. Shooting reverse angles
over the desk showing the top surface was i ne, and seems perfectly logical, but
sometimes the camera accidentally catches the back of this desk, and the logic
totally falls to pieces. It implies that the camera has squeezed itself between the
desk and the wall, or the wall was removed or the desk moved forward away from
the wall. Basically, the audience become aware of the camera and that the set
has changed. It always annoys me in live action to see characters running down a