Graphics Reference
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corridor towards the camera and then having to sidestep at the last moment, making me think
'what a silly place to put a camera!'
Getting animators in and out of large sets is always a problem, but disguising their access can be
something of an art: an invisible art. Jane Austen talked about the country houses in her novels
having ha-has in their landscaping, a ha-ha being an invisible ditch hidden by the contours
Fighting for access on
Next
, and another ha-ha, with animator Steve Boot on the
set of
Gilbert and Sullivan
.
of the garden. It is too deep and wide for the sheep to cross and does away with
fencing, allowing for huge sweeping gardens. We have similar invisible troughs built
into the set to allow the animators to move about. This means that the action has to
be planned accordingly.
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