Graphics Reference
In-Depth Information
References
1. Bouchard C, Kim J, Aoussat A (2011) Cognitive designers activity study, formalisation,
modelling and partial computation in the inspirational phase. CIRP Design, Séoul
2. Bouchard C, Kim J, Aoussat A (2009) Kansei information processing in design. In proceeding
of IASDR
3. Bouchard C, Aoussat A (2002) Design process perceived as an information process to enhance
the introduction of new tools.
Int J Vehicle Des 31(2):162-175.
ISSN 0143-3369
(Inderscience Publisher)
4. Bilda Z, Gero JS (2007) The impact of working memory limitations on the design process
during conceptualization. Des Stud 28(4):343-367
5. Bouchard C, Aoussat A (2003) Modelling the car design process. Int J Vehicle Des 31
(1):1-10. ISSN 0143-3369 (Inderscience Publisher)
6. Do EY, Gross M, Neiman B, Zimring C (2000) Intentions in and relations among design
drawings. Des Stud 21(5):483-503
7. Gero JS, Tang M (2001) Differences between retrospective and concurrent protocols in
revealing the process oriented aspects of the design process. Des Stud 22(3):283-295
8. Schön DA (1992) Designing as re fl ective conversation with the materials of a design situation.
Knowl-Based Syst 5(1):3-14
9. Suwa M, Tversky B (1997) What do architects and students perceive in their design sketches?
A protocol analysis. Des Stud 18(4):385-403
10. Tovey M, Porter S, Newman R (2003) Sketching, concept development and automotive
design. Des Stud 24(2):135-153
11. Tovey M, Owen J (2000) Sketching and direct CAD modelling in automotive design. Des
Stud 21(6):569-588
12. Tovey M (1997) Styling and design: intuition and analysis in industrial design. Des Stud 18
(1):5-31
13. Van Der Lugt R (2001) Developing brain sketching, a graphic tool for generating ideas. In:
Idea Safari, 7th European Conference on Creativity and Innovation, University of Twente, The
Netherland
14. Schön DA (1983) The re fl ective practitioner: how professionals think in action. Basic Topics,
New York (reprinted in 1995)
15. Ansburg PI, Hill K (2003) Creative and analytic thinkers differ in their use of attentional
resources. PAID 34(7):1141-1152
16. Bouchard C, Aoussat A, Duchamp R (2006) Role of sketching in conceptual design of car
styling. J Des Res 5(1):116-148. ISSN 1569-1551 (Inderscience)
17. Büsher M, Frielaender V, Hodgson E, Rank S, Shapiro D (2004) Design on objects:
imaginative practice, aesthetic categorisation, and the design of multimedia archiving support.
Digital Creativity
18. Eckert C, Stacey M (1998) Fortune favours only the prepared mind: why sources of inspiration
are essential for continuing creativity. Creativity and Innov Manage 7(1):9-16
19. Eckert C, Stacey M (2000) Sources of inspiration: a language of design. Des Stud 21
(5):523-538
20. Kim J, Bouchard C, Omhover JFO (2010) Toward a model of how designers mentally
categorize design information. CIRP J Manufact Sci Technol 3:218-226
21. MAC Donagh D, Denton H (2005) Exploring the degree to which individual students share a
common perception of speci ! c trend boards: observations relating to teaching, learning and
team-based design. Des Stud 26:35-53
22. Mougenot C, Bouchard C, Aoussat A (2008) Inspiration,
images and design, a
! field
investigation of information retrieval strategies by designers. J Des Res 7(4):331-351
23. Cross N, Christiaans H, Dorst K (1996) Analysing design activity (Wiley), Engineering design
methods: strategies for product design (Paperback). Fourth Edition, Paperback
24. Amabile T (1983) The social psychology of creativity. Springer, New York
 
Search WWH ::




Custom Search