Graphics Reference
In-Depth Information
COLOR
SECONDARY
(Grading)
PRIMARY
(Correction)
Figure 6.2
Color Correction and Grading.
is what makes 3D color particularly challenging compared to its 2D cousin.
Corrections and grades also need to take into account movement in Z-space
and the resulting effect of that movement on color. The also need to take into
account the slightly different geometry between L and R. In other words,
creative and corrective color decisions need to be applied at the appropriate
depth for the object or area of interest being addressed.
6.4 Relationships to Other Workl ows
Color work can occur any time prior to creating i nal deliverables. Ideally,
however, imagery destined for color should have resolved any signii cant
editorial, geometry and depth issues. The color workl ow interacts with the
other workl ows as follows:
6.4.1 Managing
The managing workl ow creates the color workl ow and is responsible for
insuring that your team's color decisions are incorporated into the show
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