Graphics Programs Reference
In-Depth Information
Note
Avoid huge movements as you
tweak the points here. You'll get
your skull looking better quicker
if you sneak up on the point's
proper positions.
“Small moves, Ellie. Small
moves.” — Ted “Sparks”
Arroway,
Contact
32. Select the top five polys
you made while “stitch-
ing” the mask together
around the ear in Figure
10-32. (We're going to
make the ear by smooth
shifting these polys, so
just select the polys that
are close to where the ear
attaches to the skull.)
33. Smooth shift and then
stretch these polys to cre-
ate the relatively small
base of the ear where it is
attached to the skull. (You
will want to group these
polys now as
Ear
, so you
can quickly select just the
ears should you ever need
to isolate them from the
skull.)
Figure 10-40
Figure 10-41
