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drawing in chinese ink in his drawings. (see Fig. 2) We created dual version, sep-
arating the old paintings of bamboo with thick nodes and wind-bamboo drawing
which are Lee Jung's representative pieces. For the first version, we made ref-
erences to (a)bamboo drawing in chinese ink and for the second version, we
designed with references to (b)wind-bamboo drawing.
This drawing portrays the fidelity of classical scholars hardening firm will
to live, recovering from hardships by bamboo trees. By the drawing (a) (see
Fig. 2) showing bamboo trees which are upright, full of vigor, Leejung cherishes
fidelity and integrity that classical scholars should have. (b) In this painting,
Leejung focused on expressing condensed spirits of bamboo trees withstanding
wind. Although the stem is straightened, the wisdom that we should deal with
everything flexibly is passed on to other generations by the portrayal of a stem
which is little bit bent. Because of these reasons,
<wind-bamboo drawing>
is
illustrated in the Korean bill. Wind-bamboo drawing by Lee jung is used as a
background picture for the current Korean 50, 000 won bill. The attitude of
the old classical scholars drawing four gracious plant to cultivate minds and
appreciating the drawings to become a man of virtue is much needed in this
contemporary world. In the Fig. 3(a) we added modern touch in expressing
bamboo with thick nodes in Leejung's Fig. 2(a). With strong drawing line, we
added strength in each of the leaves one by one. Heavy breathing is expressed by
drawing line of heavy concentration and drawing line of relatively weak breathing
is weakened to give a three-dimensional effect by having a feeling of space.
Fig. 3.
Healing bamboo (a)“version 1”digital data with a reference to Fig. 2(a) a image
(b)“version 2”digital data with a reference to Fig. 2(b) image
In the Fig. 3(b) elasticity of the bamboo is well-illustrated by accurately cap-
turing bamboo stem and leaves fluttering in the wind. The sense of fluttering
is well-portrayed as the bamboo stem is thin with thick leaves. This aims to
nurture the mind to flexibly deal with an unexpected headwind in the modern
life by drawing the bamboo confronting the wind flexibly without shaking in the
coming wind. The completed bamboo tree slowly wavers by the wind by 15de-
grees left and right and maintains dynamic movement until the seal is marked.
The Fig. 3(b) adds dynamic interactive elements by improvement of what the
Fig. 3(a) lacked which is made one year earlier than the Fig. 3(b).
