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of the temple buildings, are in varying degrees of discoloration, deterioration, pigment
exfoliation and so on, depending on their location, building structure, exposure to the
elements and other factors. For example, all the paintings on the northern side of
Tora-no-ma have blackened, whereas those on the southern side of the same room
retain their original colors. In consideration of this fact, therefore, instead of archiving
each
shouhekiga
simply as one picture, a multi-scale structure
⎯
as illustrated
Fig.1.
has been developed for Nishi Hongwanji Digital Archives, to take into
account the factors affecting the conditions of the respective paintings.
⎯
2.1 Analysis of Pigments
Shouhekiga
and
ranma
are painted with pigments called
suihi enogu
and
iwa enogu
.
Suihi enogu
is made from mud or earth found mostly in mountains, which is washed
with water to remove impurities and then dried in plate form.
Iwa enogu
, granular
pigments made of various crushed minerals and semi-precious stones, are used with
nikawa
(glue) as a binder. They come in only a few basic colors, but this single raw
material can yield a variety of hues, depending on the granule diameter. This
characteristic is used to achieve various nuances and a three-dimensional effect.
Granule diameters are indicated by numbers: the higher the number, the finer the
granule. The finest granule is called
byaku
(see Fig.2. and Table 1).
Fig. 2.
Iwa enogu numbers and gradations
Table 1.
Table 1
Iwa enogu
numbers and granule diameters
Number
6
7
8
9
10
11
12
13
Av.
diam(μm)
120
100
70
50
30
15
10
7
•
X-ray fluorescence (XRF) analysis
•
Granular diameters
•
Reflection spectra
The results of these measurements revealed that the pigment
rokusho
(green) No. 8 is
used in the bamboo sections of well-preserved
shouhekiga
. At the same time, the
results led to the assumption that the same pigment is used in the bamboo sections of
deteriorated paintings and that the pigment
oudo
(yellow ocher) is used in the tiger
sections.