Digital Conservation of Cultural Assets - Culture and Computing - page 148

Second Cases: we describe a digital conservation method for Bezeklik Cave No.4
in Turfan. We digitized wall paintings of Cave No.4 scattered all over the world.
Then, we integrated these paintings, made up the lack parts of paintings by using
similar paintings, and corrected the color tone of paintings. Finally, we generated 3D-
model of Cave No.4 with restored wall paintings.
Fig. 1. Nishi Hongwanji Digital Archives structure
2 Nishi Hongwanji Digital Archives
Conventionally, digital archives of paintings store such data as the artist's name, year
of production, pigments used and reflection spectra. Nishi Hongwanji Digital
Archives store similar data on shouhekiga , though a different arrangement of data is
required. This is because Nishi Hongwanji's shouhekiga, which are still in use as part