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30
White, Content of the Form , 21; Kenneth Burke, A Grammar of Motives (Berke-
ley: University of California Press, 1945).
31
Collingwood, Idea of History , 49-50.
32
Antoine-Nicolas de Condorcet, Sketch for a Historical Picture of the Progress of
the Human Mind, trans. June Barraclough (London: Weidenfeld and Nicolson,
1955), 3.
33
Condorcet, Sketch , 3 (emphasis added).
34
Condorcet, Sketch , 4.
35
Condorcet, Sketch , 49.
36
Antoine-Nicolas de Condorcet, “The Nature and Purpose of Public Instruc-
tion,” in Condorcet: Selected Writings , ed. Keith Michael Baker (Indianapolis,
Ind.: Bobbs-Merrill, 1976), 114.
37
Condorcet, Sketch , 3-4.
38
Collingwood, Idea of History , 51.
39
Condorcet, Sketch , 45.
40
Condorcet, Sketch , 63.
41
Niebuhr, Human Nature , 9.
42
Condorcet, Sketch , 63-64.
43
Frye, Anatomy of Criticism , 195.
44
Condorcet, Sketch , 104-5.
45
Condorcet, Sketch , 104-5.
46
Condorcet, Sketch , 121-22.
47
Condorcet, Sketch , 122.
48
Condorcet, Sketch , 9.
49
Condorcet, Sketch , 121-23.
50
Condorcet, Sketch , 175.
51
Condorcet, Sketch , 4.
52
Karl R. Popper, The Poverty of Historicism (Boston: Beacon, 1957).
53
Condorcet, Sketch , 4.
54
Condorcet, Sketch , 45.
55
William Keith Chambers Guthrie, The Fifth-Century Enlightenment , vol. 3 of
A History of Greek Philosophy (Cambridge: Cambridge University Press, 1969),
407.
56
Condorcet, Sketch , 45-46. For a discussion of the various sources from which
historical information concerning Socrates is drawn, see Guthrie, Enlighten-
ment , 323-77; on the use of characterization in Greek comedy, see Francis
Macdonald Cornford, The Origin of Attic Comedy (Cambridge: Cambridge
University Press, 1934).
57
Condorcet, Sketch , 45.
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