Notes - Game Play: Paratextuality in Contemporary Board Games - page 192

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6 Huizinga, Homo Ludens .
7 Ray Mazza, “he Greatest Git,” in Tabletop: Analog Game Design , eds. Greg
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8 Karl Bergström, Stafan Björk, and Sus Lundgren, “Exploring Aesthetical
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9 Lincoln Geraghty, American Science Fiction Film and Television (Oxford: Berg,
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10 C. W. Marshall and Tifany Porter, “'I See the Patterns': Battlestar Galactica and the
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11 Geraghty, American Science Fiction, 62.
12 Jane Banks and Jonathan David Tankel, “Science as Fiction: Technology in Prime
Time Television,” Critical Studies in Mass Communication 7 (1990); Ryan Britt,
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battlestar-galactica-doesnt-suck; Geraghty, American Science Fiction ; Jennifer
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13 Geraghty, American Science Fiction , 118.
14 Vivian Sobchack, Screening Space: he American Science Fiction Film , 2nd ed.
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15 Paul Booth, Time on TV: Temporal Displacement and Mashup Television
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17 Geraghty, American Science Fiction , 120.
18 Robert W. Moore, “'To Be a Person': Sharon Agathon and the Social Expression
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19 Bergström, Björk, and Lundgren, “Exploring Aesthetical Gameplay Design,” 2,
emphasis in original.
20 Lewis Pulsipher, “he hree Player Problem,” in Tabletop: Analog Game Design ,
eds. Greg Costikyan and Drew Davidson (US: ETC Press, 2011), 23-24.