Graphics Reference
In-Depth Information
Modular Grid Extremely complex projects require even more precise control, and, in
this situation, a modular grid might be the most useful choice. A modular grid is es-
sentially a column grid with a large number of horizontal flowlines that subdivide the
columns into rows, creating a matrix of cells called modules. Each module defines a
small chunk of informational space. Grouped together, these modules define areas
called spatial zones to which specific roles can be assigned. The degree of control with-
in the grid depends on the size of the modules. Smaller modules provide more flexibility
and greater precision, but too many subdivisions can become confusing or redundant. A
modular grid also lends itself to the design of tabular information. The rigorous repeti-
tion of the module helps to standardize tables or forms and integrate them with the text
and image material. Aside from its practical uses, the modular grid accords a concep-
tual aesthetic. Between the 1950s and 1980s, the modular grid became associated with
ideal social or political order. These ideals have their roots in the rationalist thinking of
both the Bauhaus and Swiss International Style, which celebrates objectivity, order, and
clarity. Designers who embrace these ideals sometimes use modular grids to convey this
additional meaning. How does a designer determine the module's proportions? The
module could be the width and depth of one average paragraph of the primary text at
a given size. Modules can be vertical or horizontal in proportion, and this decision can
be related to the kinds of images being organized or to the desired stress the designer
feels is appropriate. The margin proportions must be considered simultaneously in re-
lation to the modules and the gutters that separate them. Modular grids are often used
to coordinate extensive publication systems. If the designer has the opportunity to con-
sider all the materials that are to be produced within a system, the formats can become
an outgrowth of the module or vice versa. By regulating the proportions of the formats
and the module in relation to each other, the designer might simultaneously be able to
harmonize the formats and ensure they are produced most economically.
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