Graphics Reference
In-Depth Information
THE INTERRELATIONSHIP
of detail is apparent in these letterform studies for a custom, corporate
typeface. Note the comparisons of crossbars, letter widths, and terminal shapes.
E-Types
Denmark
Form and Counterform: The Optics of Spacing
The spacing of letters in words, sen-
tences, and paragraphs is vital to create a uniform gray value for minimal reader dis-
traction. Every typeface has a distinct rhythm of strokes and spaces. This relationship
between form and counterform defines the optimal spacing of that particular typeface
and therefore of the overall spacing between words, between lines of type, and among
paragraphs. Looking at letters set together as a word offers a clue as to how they
should be spaced in that particular typeface and size. Creating a consistent gray value
in text depends on setting the letters so that there is even alternation of solid and
void—within and between the letters. A series of letters that are set too tightly, so that
