Graphics Reference
In-Depth Information
Activating Space
During the process of composing form within a given space, portions
of space might become disconnected from other portions. A section might be separated
physically or blocked off by a larger element that crosses from one edge of the format
to the other; or, it might be optically separated because of a set of forms aligning in
such a way that the eye is discouraged from traveling past the alignment and entering
into the space beyond. Focusing the majority of visual activity into one area of a com-
position—for example, by clustering—is an excellent way of creating emphasis and a
contrasting area for rest. But this strategy might also result in spaces that feel empty or
isolated from this activity. In all such cases, the space can be called “inert,” or “inact-
ive.” An inert or inactive space will call attention to itself for this very reason: it doesn't
communicate with the other spaces in the composition. To activate these spaces means
to cause them to enter back into their dialogue with the other spaces in the composition.
Seeing Form and Space
Categories of Form
Putting Stuff Into Space
Compositional Strategies
A Foundation for Meaning
The diagonal line in the upper composition separates a triangular space from the remainder of the
format; this space disconnects from the composition and is deactivated. By ending the line short of
the format edge, even minimally, the eye is encouraged to travel optically around its ending point
and join the two spaces together, activating and relating them to each other.
