Graphics Reference
In-Depth Information
4.15
4.14
I wanted the actual hurling of the bone and impact
on the dog's head to be a surprise, so I had to
choose a way of showing it that hid the Beast. The
only real option then was to use the Beast's point
of view from Figure 4.13. So the sequence goes: We
see the Beast with the bone, then the dog, then the
dog getting hit (Figures 4.14-4.16).
After that, according to the script, follows “several
other toys.”
Notice how the next two storyboards split the cru-
cial moment in time where the golf ball (ouch!)
makes impact:
4.16
Figures 4.14-4.16
The Beast sits up, looks at the dog, then
pelts it with the bone
4.17
4.18
Figures 4.17-4.18
The dog gets ready for impact and is struck
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