Graphics Programs Reference
In-Depth Information
digital cameras. They started with a small 3 or 4 megapixel point-and-shoot
compact camera, and they were disappointed with the images they were getting.
So they went out and bought a newer point-and-shoot, or a more expensive Digital
SLR camera (with interchangeable lenses) that's 10 or 12 megapixels and now
they're disappointed with their larger sized images. The problem is, it's not about
the camera. They both take a picture of whatever you aim them at.
However, the fact that it's “not about the camera” is good news for all of us, because
that means that no matter which camera you own, you can learn to take better-
looking photos now, today—and here. I've included some of my favorite tips for
doing just that.
1. Getting better portraits outside
Direct sunlight creates really harsh shadows—it's about the most unflattering light
you can shoot someone in (only photograph people you don't like in direct sunlight).
So, how do you get around this? Have your subject step into the shade. Under a
tree, under an overhang, or any place where they're in complete shade (with no
dapples of light coming through the branches of the tree). The difference is pretty
staggering. In the example you see above, on the left our subject is standing in
direct sunlight. On the right, I had her move under a tree about 30 feet away. That's
the only thing that I did differently, and look at the results.
2. Where to put your subject in the photo
When we first started taking photos of people, at some point somebody told us to
make sure that our subject is in the center of the photo. That's how your average
person takes a people photo, which is one reason why these photos look so
average. If you look at photos taken by professional photographers, you'll notice
they will usually place the person on the left or right side of the photo, rather than in
the center. This adds interest and energy to the photo, and focuses your attention
right on the subject (try this next time you're shooting a portrait—you'll be amazed at
what a difference this one little thing makes).
3. The secret to shooting in low light
If you're shooting in a church, or at night, or even at dawn or dusk, you're going to
