Photoshop and Color Management - Color Management for Photographers - page 109

Fig. 2-28 Print with
Preview in Photoshop CS2
with the Color Handling
set to No Color
Management . Notice all
the options are grayed out
since this setting sends the
data directly to the print
driver. This is functionally
akin to the Same as Source
setting in Photoshop CS.
Notice toward the bottom
of the dialog is a reminder
to enable color
management in the driver.
Also note that in this
example, the document is
untagged, which is
indicated next to the
Document radio button.
rendering intent. This is accessed from the Proof Setup Preset pop-up menu
or a currently configured soft proof. This is how you can conduct a three-
way color space conversion. The rendering intent selected and saved in
this custom Proof Setup is used for the first color space conversion from
the document color space to this proof color space. Suppose you had a
Proof Setup using the Working CMYK (U.S. Web Coated (SWOP) v2)
profile with the relative colorimetric intent selected. That output profile
and rendering intent is how the document-to-proof conversion will be
applied. Notice that in Fig. 2-29, the conversion is from ColorMatch RGB
to U.S. Web Coated (SWOP) v2. The cutout in Fig. 2-29 illustrates that
the conversion would be using the relative colorimetric intent based on
the Customize Proof Condition dialog. The secondary conversion would be
from U.S. Web Coated (SWOP) v2 to the actual printer. In this example,
I'm using an Epson 2200. The rendering intent in this part of the con-
version is handled with the two Simulate check boxes, seen below the
Proof Setup Preset pop-up menu. These check boxes behave like the
Simulate check boxes discussed in the Customize Proof Setu p. The main