Creating Looks - The Art and Technique of Digital Color Correction - page 439

Fig. 10.70 Image after the
final secondary correction
was added.
Fig. 10.71 Data from final secondary correction.
“Once again, I'm trying to give it this chromatic look. A high-intensity
Ektachrome look. So what I'm doing is I'm almost wanting that green of
the grass to glow and look ultra green.”
Obviously feeling liberated by the ability to add up to eight secondaries
in Color, Pepperman adds yet another secondary, qualifying and tweaking
the blue of the SWAT team uniforms.