Creating Looks - The Art and Technique of Digital Color Correction - page 423

Fig. 10.43 Vignette cor-
rection in first secondary.
Fig. 10.44 Data from outside of first secondary room.
it naturally. I don't know if I really need to get on top of that and mess it
up. But I do think I can do more with the fingers.”
Jannotta cranks up the highlights and pulls down the setup. “Maybe
just make it burn a little. White's go up, blacks go down, gamma goes
down. It always makes it more theatrical . . . printlike. It looks more like
it's on a movie screen this way” ( Figures 10.47 and 10.48 ).
Jannotta continues, “I don't like that his hand is so flat. The ball looks
good, the grass looks pretty good. His hand's kind of not happening.