Creating Looks - The Art and Technique of Digital Color Correction - page 411

Fig. 10.22 First secondary correction.
Fig. 10.23 Data from Secondary room.
Then adds another secondary and qualifies the brightest portions of the
sky and building adding even more contrast, correcting the outside of the
secondary—which are the shadows, in this case—making them darker
( Figures 10.24 and 10.25 ).
“It hurts the eyes after a while when you look back and you see how
far it went,” Sliga comments. “That's one way we could go.” Bleach bypass
is a matter of crushing gammas, crushing blacks, blowing out whites. How
far that you want the blacks to be is really the key. You have to have a
broadcast safe filter on it, because you're blowing it all out. If you don't
have a broadcast safe filter on it, you're going to get hosed.”