Creating Looks - The Art and Technique of Digital Color Correction - page 397

Fig. 10.3 Base look.
Fig. 10.4 Festa's Brazilian Silver.
explain some of his process for coming up with looks. “Well, I think it's
always a process of working wider and then narrowing.”
I ask if some of the time when he's spinning the trackballs, he's not
really color correcting as much as getting a sense of where the image can go.
“Yeah. Sometimes when you make an extreme change you see that you've
either grabbed the wrong thing or you've grabbed too much. It's certainly
the subtle stuff that begins to appear to you when you've made a huge
change. Then you can narrow down and narrow down and narrow down
from there. Also, sometimes when you're starting to play with a new image,