Graphics Reference
In-Depth Information
(a)
(b)
Fig. 9.48
(a) Early interview footage with secondary correction. (b) Data from Secondary room.
Fig. 9.49
The split shows
how close skin tones and
background tonality match
(and this Picasso-like image
is sure to make my brother
laugh).
Matching AND Saving!
Here's a pretty impressive “save” of a horribly overexposed and poorly
white balanced shot. Alpha Dog's Terry Curren made great use of Avid
Symphony's Channel Blending capabilities. I'd warned Curren that I had
a tricky shot for him, and he knew it as soon as he saw it. “This is the bad
guy!” Curren laughs, “This is the one we were waiting for (
Figure 9.52
).
Well, the first thing is, it's clipped. It's obviously clipped up there, so that's
a drag.”
“Obviously, one of the advantages we have is that you can go in to
the channels and look at individual channels and see . . . now the blue's
(
Figure 9.56
) actually got a nice image compared to the green and the red
(
Figures 9.54
and
9.55
)
, which are really messed up. The red is actually
Search WWH ::
Custom Search