Graphics Reference
In-Depth Information
In an effort to save time with the colorists and have them touch as
many images of interest as possible, we didn't follow all of these cor-
rections through the entire process that would be needed to truly finish
them. In this case, each of these windows would need to be tracked to the
motion of the shot.
New Hat's Bob Festa also delivered three different story lines on the
boxer shot. He describes his three looks: “The first one is Raging Bull . High
contrast, black and white, noisy, grainy, ratty” ( Figure 8.55 ) .
“Then it's Rocky —1970s, well-balanced, strong” ( Figure 8.56 ) .
Fig. 8.55
Fig. 8.56
“And in this third image: Clint Eastwood. Million Dollar Baby. Desatu-
rated, green wash #2, 1998 written all over” ( Figure 8.57 ) .
 
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