Telling the Story - The Art and Technique of Digital Color Correction - page 357

Well, not quite. Still seeing yet another tweak, Pepperman continues his
correction with and additional secondary. “Okay, I want to try one more
thing. I like this a lot but I just want to see the blue in his pants a little bit
more. So why don't we do this. Let's go into yet another secondary.” Pepper-
man draws a square, resizes and rotates it, and positions it over the fighter's
shorts. “So right now I'm opening it up to see how much I have and I want to
add a little artificial blue,” he says as he pushes blue into the shadows of the
square vignette, then softens the shape. “That's much better” ( Figure 8.53 ).
Fig. 8.53 A minor tweak
to the color of the boxer's
shorts.
Fig. 8.54 Data from the third secondary.