Telling the Story - The Art and Technique of Digital Color Correction - page 352

Fig. 8.41 The image with
just the primary grade.
Fig. 8.42 Data from the Primary room.
Fig. 8.43 Color Effect tree
for highlight glow. Both
blurs are set to 5. Sharpen
is set to 2.
“That's where I'm going to start ( Figure 8.46 ). The next thing I'm
going to do is take the color almost all the way out, then I'm going to
come back in a little bit. So I'm liking where I'm going, but I'm still not
happy with the contrast.”
Anytime you build heavy contrast, you're going to have to come back
on the saturation if you want to stay consistent.
- Chris Pepperman, NASCAR