Graphics Reference
In-Depth Information
With the vignette done, she qualifies an HSL key on the bright skin
tones, blurs the key, and pulls the saturation out (
Figure 8.8
).
Fig. 8.7
Second secondary qualifies and brightens skin-tone highlights.
Fig. 8.8
Data from inside of second secondary.
“Let's see if we can do a luminance key to the sky.” She pulls a key and
blurs it. “I'm trying to make it look like a nuclear holocaust. Now if I lift
up the blacks, it gives it a ProMist-type look. And I was trying to get some
yellow in there, but I think it's just clipped out. Okay, there's my nuclear
holocaust” (
Figures 8.9
and
8.10
).
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