Correcting Shots - The Art and Technique of Digital Color Correction - page 307

“We're gonna richen this up,” Sliga states as he pulls down the gam-
mas, “and warm this up a little” ( Figures 7.69 and 7.70 ).
Sliga attempts to “green” the grass a little bit using the Hue curve, but
undoes the correction. Then he pulls a luminance matte on the sky and
pushes the highlight wheel towards blue. “Then let's go outside of it and
warm it up a touch.” Sliga selects outside of the qualification and pulls the
gamma wheel to red ( Figures 7.71 - 7.73 ).
The grass is quite reddish/yellow/green at this point. “So we've gone
from there to there,” he says, checking the original shot against his cor-
rection. “Feels like it's nice and warm and the sun is low.”
Fig. 7.69 Secondary correction.
Fig. 7.70 Data from Secondary room.