Correcting Shots - The Art and Technique of Digital Color Correction - page 299

Because not everyone has access to Color's Sat Curve tool, I ask Sliga
to walk me through doing the correction with it. In response to the chal-
lenge, Sliga creates a qualification based on green that picks the grass and
trees. “Once we have that qualification, we aren't limited to anything. We
can change the gain, the gamma. Very powerful.” Sliga makes the grass a
nice green color before adding, “And now let's go outside and if we want
to make it more contrasty.” Sliga brings the gain up outside of his green
qualification before showing us the difference his secondary correction
makes ( Figures 7.56 and 7.57 ).
Fig. 7.56 Secondary correction on foliage.
Fig. 7.57 Data from Secondary room.