Correcting Shots - The Art and Technique of Digital Color Correction - page 294

Fig. 7.46 Secondary correction to move highlights away from pink.
Fig. 7.47 Secondary room data.
At this point, Matusek enables a secondary and pulls an HSL key on
the building façades. “So instead of pushing artificial warmth into it, I'll
desaturate it a little bit and warm it up like that. So it goes from that pink
to a little more white, but there's still some warmth in the highlights. It
looks a lot more lush than it was,” he concludes.