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Fig. 7.44 Primary color correction, imparting a “golden hour” look.
Fig. 7.45 Primary room data.
highlights, so I might crush the blacks a little bit. When you crush the
blacks, you're saturating the blacks. When you increase the gain, you're
saturating the highlights, which is good for this image because it's washed
out.” However, with most images, this increased saturation is something
that you would need to counteract, especially when dealing with footage
that requires extreme changes of blacks or gain.
At golden hour there's much more contrast between the shadows
and the highlights.
- Mike Matusek, Nolo Digital Film
“So now what I would try to do is grab these highlights individually,
because I'm trying to push more warmth into the highlights, and what I'm
doing is whacking out the midtones a little bit, and they're getting a little
too yellow and ugly, so I'd probably grab those [the whites of the buildings],
blur them, and get that magenta out of there” ( Figures 7.46 and 7.47 ).
 
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