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Fig. 7.12
The final correc-
tion, with the addition of
a secondary to pull some
redness out of the skin
tones.
Fig. 7.13
The data for the
inside of the qualification,
pulling midtones slightly
more yellow.
shot as I corrected it was that the background started going magenta, which
is natural as I'm trying to bring his shirt from green. If we need to neutralize
the shot, I can then affect that area separately if I need to. And everything's
interactive somewhat, so I'm looking at all my scopes at one time.”
I ask him about his use of the RGB Parade scopes in trying to achieve
color balance. “I'm looking at RGB. I'm also looking at black in the middle of
the vectorscope—as well as white—and also separation on the chroma side
of the split waveform but again: all at one time” (
Figures 7.14
a
nd
7.15
)
.
One reason I like at least one of my Parade scopes expanded out
is so I can really see that black balance coupled with the expanded
vectorscope.
- Larry Field, Level 3 Post
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