Graphics Reference
In-Depth Information
Before moving on to the spot color corrections—or vignettes as they're
known in Color, or Power Windows, as they're known in DaVinci—let's
take a look at color vector isolations in Avid Symphony. I realize that
Symphony is not a widely popular application for color correction, but
even if you don't have a Symphony, don't skip ahead, because Symphony
has an interesting graphical interface that allows you to better understand
and visualize what you are doing as you isolate these color vectors.
Figure 5.17 shows the Avid Symphony's Secondary UI. Notice the
two vectorscope-like images in the bottom center. The one to the left
shows the vector you've selected. The one to the right shows the way
you have moved that selected vector. Actually, the entire bottom of the
Fig. 5.16
N o t e
At the bottom of the right
side of this UI is a section
called Selected Vectors. This
section logically belongs
on the left side, because
it allows you to define a
vector by clicking on one
of the colored squares,
but they didn't have room
for it on the proper side
and there was space to
the right. These Selected
Vectors was how I actually
selected the green vector
for this image. You can see
that the green color square
is highlighted in white.
Fig. 5.17
 
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