Primary Color Correction: Color Control Primer - The Art and Technique of Digital Color Correction - page 81

Fig. 3.8 Select the NEW + button in the Timeline Management Tab.
Fig. 3.9
Notice that the building behind the lion (Chicago's famous Art Institute—
a great place to study the use of color and tonality in images, by the
way) is not really gray, but a warm, yellowish sandstone. There are lots of
different-colored elements in the picture with no obvious white, black, or
gray reference point . . . but believe me, they're there.
With the “blue cast” lion shot called up in Resolve, let's use the same
type of sliders that we used in the Advanced tab of Color along with the
RGB Parade waveform to get a sense for how to balance a real-world
image using a different color correction application.
In Resolve, let's work with the Primary tab ( Figure 3.10 ), which has
the same essential controls as Color's Advanced tab in the Primary Room.
Notice that there are red, green, and blue controls for lift, gamma, and gain.