Graphics Reference
In-Depth Information
FIG 3.10
In the first three images of
this sequence, we can see the figure
anticipating the action that follows.
rotation of the upper torso and, depending on the nature of the cast, maybe
even movement in the legs and feet. These movements, probably quite slow
ones, are in anticipation of the very rapid forward and downward movements
that constitute the cast itself. The first movement is not the actual cast but
an anticipation of the cast; the cast is an action that would not be possible
without this first anticipatory action.
In cartoon-based animation, the sharp, rapid turn of a head in reaction to
something happening or said, termed a
take,
relies heavily on anticipation.
Although this anticipation is generated in the mind as a reaction to some
external stimuli, it is made visible to the observer by a distinct movement
of its own. Without this anticipation the take becomes a simple turn of the
head.
Anticipation leads one action into another and flags to the audience what
is about to happen. It is a useful device in guiding an audience's attention,
though if it's taken to extremes the action will look artificial and cartoon-like.
Staging
The animation principle of
staging
refers to the manner in which the action is
presented in order for it to be read and understood by the audience. Action
is generally presented in such a manner that enables the character to be
recognizable and so that the individual actions that make up content of the
individual shot or sequence of shots is clear. Staging is all about presenting
the work in such a way as to create or enhance the mood within the narrative
and to present only those aspects of the narrative that the director intends.
Staging clarifies the action, the action supports acting, and the acting delivers
the story.
