Robotics Reference
In-Depth Information
[4] “Poetry Digital Media and Cybertext”, Chris Funkhouser. Avail-
able at
http://web.njit.edu/
cfunk/SP/hypertext/POETRY DIGI-
TAL MEDIA CYBERTEXT2.doc.
[5] “Ray Kurzweil's Cybernetic Poet”. Available at
http://www.
kurzweilcyberart.com/poetry/rkcp overview.php3
.
[6] “TALE-SPIN”. James Meehan, in
Inside Computer Understanding
,
(Eds.) Roger Schank and Christopher Riesbeck, Lawrence Erlbaum
Associates, Hillsdale, NJ, 1981, pp. 197-226. See also “Micro
TALE-SPIN”, by the same author, same source, pp. 227-258.
[7] “Chess is Too Easy”. Selmer Bringsjord,
MIT's Technology Review
,
March/April 1998, pp. 23-28. For a detailed description of BRU-
TUS see
Artificial Intelligence and Literary Creativity: Inside the
Mind of BRUTUS, a Storytelling Machine
. Selmer Bringsjord and
David Ferrucci, Lawrence Erlbaum Associates, Mahwah, NJ, 2000.
[8] “Syncopation by Automation”. Martin Klein,
Radio Electronics
,
June 1957, pp. 36-38.
[9]
Virtual Music: Computer Synthesis of Musical Style
. David Cope,
MIT Press, Cambridge, MA, 2001. See also David Cope's home
page at
http://arts.ucsc.edu/faculty/cope
/.
[10] “The Further Exploits of AARON, Painter”. Harold Cohen,
Stan-
ford Humanities Review
, vol. 4, no. 2, 1995, pp. 141-160.
Chapter 6: How Computers Think
[1] “Why People Think Machines Can't”. Marvin Minsky, first pub-
lished in
AI Magazine
, vol. 3 no. 4, Fall 1982, pp. 3-15. Reprinted
in
MIT Technology Review
, Nov/Dec 1983, pp. 67-70 and 80-81,
and in
The Computer Culture
, (Ed. Dennis Donnelly) Associated
University Presses, Cranbury, NJ, 1985.
[2] “The Open Mind Common Sense Project”. Push Singh. Available
at
http://www.kurzweilai.net/
,
2 January 2002.
[3] “Trial and Error”. Donald Michie, in
Penguin Science Survey 1961:
Part 2
, (Eds.) Samuel Barnett and Anne McLaren, Pelican Books,
Harmonsworth, 1961, pp. 129-145.
