Robotics Reference
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that “The first line certainly echoes the style or tenor of Jack Kerouac's
poetry, especially in that it recognizes the suffering of all organisms (Ker-
ouac was known for his use of Buddhist themes). A girl close to nature
'won't weep' but the one with the desk is 'dumb and soft'.” [4]
The same method, using frameworks with slots but without the need
for rhyming heuristics, was employed in a haiku generator developed
by Margaret Masterman and Robin McKinnon-Wood at the Cambridge
Language Research Unit in England, and some of its resulting haiku
were exhibited at the Cybernetic Serendipity exhibition in London in
1968. Haiku are non-rhyming poems that traditionally invoke an aspect
of nature or the seasons, one of the most popular forms of Japanese po-
etry, with three lines totalling 17 syllables (split five, seven, five). The
Cambridge haiku generator consisted of various schemas in which the
program filled the slots with words chosen from lists, with each list con-
taining at least eight and at most 23 words. One such schema is the
following:
All SLOT 1 in the SLOT 2
I SLOT 3 SLOT 4 SLOT 5 in the SLOT 6
SLOT 7 the SLOT 8 has SLOT 9
and the various lists of available words include
SLOT 1: White, Blue, Red, Black, Grey, Green, Brown, Bright,
Pure, Curved, Crowned, Starred
SLOT 3: See, Trace, Glimpse, Flash, Smell, Taste, Hear, Seize
SLOT 7: Bang, Hush, Swish, Pffftt, Whizz, Flick, Shoo, Grrr,
Whirr, Look, Crash.
Among the haiku created using this simple method, based on the above
schema and lists of words, were
All green in the leaves
I smell dark pools in the trees
crash the moon has fled
and
All white in the buds
I flash snow peaks in the spring
bank the sun has fogged
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