Graphics Reference
In-Depth Information
25
Select the Glimmer layer under the purple TV glass and rename it to
Reflections - WONK .
26
Select the Glimmer layer under the purple 01 glass and rename it to
Reflections - CH .
The whole reason for the Collapse Transforms method will become apparent as
you Precomp the complete WONK TV Logo Design. Begin by selecting only
the layers with ' WONK ' named elements: Wonk text matte, WONK Glimmer,
WONK TV Master , and Reflections - WONK . Unlike the Sequence Layers
function, the order you select the layers here is irrelevant - Precomping
maintains relative layer order.
Press 'Ctrl
C' to make a 'Move all attributes . . .' Precomp and rename
it WONK Elements build . Uncheck 'Open New Composition', then press 'OK'.
Shift
Carefully observe the results to the newly Precomposed WONK Elements build
layer - specifically, look at the glass around the TV text. It no longer has the rich
blue overlay effect, nor does the logo have any of the vertically blurred
glimmers extending past the blue background. And more obviously, the text
WONK TV is no longer transparent - it has reverted to solid white. The upper
logo has lost the 'snap' that the CH 01 elements still display.
Now switch 'on' Collapse Transforms in the Timeline and watch what
happens - suddenly the WONK TV logo elements look just as they did before
the Precomp was created. Toggle the switch 'off' and 'on' a few times to
compare the differences between the two Precomping modes.
Select all the CH elements and create another Precomp, then Increment and
Save your work. Make an RAM Preview of the new logo design to review
your work.
Precomping Caveats
As powerful as Collapse Transforms can be, there are a few restrictions to
beware: Effects need not apply and Blending Modes are unavailable.
Once activated, Collapse Transforms disables several of the Precomp's layer
options. If you try to add an Effects filter or change the Blending Mode, the
layer loses its Collapse Transform's special abilities. Though this might be a little
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