Graphics Reference
In-Depth Information
• Work to achieve continuity of direction, content, and design.
• There are a number of standard shots and transitions that are used most often.
• Manipulate the passage of time with the right cuts and transitions.
• Storyboards can represent both the movement of objects and the camera.
• Camera placement can help determine the audience's emotional attachment.
• Boarding dialogue involves special issues.
• Pitching is how storyboards are often presented to others.
• Animatics reveal the pacing and transitions as a fi lmed version of the boards.
• The storyboarding process is becoming progressively more digital.
Recommended Readings
1. Don Bluth, Don Bluth's Art of Storyboard
2. John Canemaker, Paper Dreams
3. Wayne Gilbert, Simplifi ed Drawing for Planning Animation
4. Will Eisner, Comics and Sequential Art
5. Frank Thomas and Ollie Johnston, The Illusion of Life
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