Graphics Reference
In-Depth Information
5-32
The contrast
between geometric and
gestural letterforms
is dissonant. Unity is
achieved by carefully
planned shape
correspondences
and form-to-void
relationships.
dissonance
5-30
This dynamic poster combines both large three-
dimensional letterforms and a complex arrangement of
two-dimensional elements. Spatial wholeness emerges
from the arrangement: overlapping of elements is
precise and expressive. Compensation is achieved
through careful placement, with attention given to the
surrounding void. (Designer: Frank Armstrong)
consonance
5-31
(Designer: Lark Pfleegor)
