Graphics Reference
In-Depth Information
*A Frame in a Movie
(2010) examines in these terms a song composed
by Franz Schubert, Der Doppelgänger. An audio
CD album “Double articulation” (2000) comprises
songs of various artists.
In a Figure 2, “Fragile Balance” abstract, pro-
grammed elements merge in a repetitive manner
with natural forms, thus providing general struc-
ture for the artwork. We strive for maintaining bal-
ance between our progressive actions and natural
habitat where volcanic ridges catch rainwater on
the windward slopes, rainforests catch dew, and
deities of the clouds put forth their powers over
water to sustain fishponds. At the same time, we
attempt to compose our thoughts and keep going
in good spirits.
“Still Life” is a verse written in a spirit of the
double articulation code. The verse comprises a
main text and three short parts combining into a
whole displayed as a hypertext on the website,
where the shorter parts, linked to the main one,
can be accessed by a point-and-click action. In
this topic, places for the short parts have been
marked with star symbols ( * ).
An artist works a lot to be able to see progress made
or not made
or visible after three weeks would pass.
Hard to see, judge, or value it
right after the task is completed.
Like in a key frame in animation:
two frames are looking almost the same.
Much is needed to make or see the progress.
** Are you an Artist because
You Make Art, or You Make Art
Because You are an Artist?
Symbols for a meaning shield a musician, a poet,
or a mathematician.
A drawing is open for comments, suggestions,
and friendly remarks
during the process of making.
No reason is left for rephrasing its visual sentence.
No timeframe is set for viewing it to finish its
perception,
organize what's left of thoughts, connotations,
and memory of order.
Still Life
***Stereotypes
Favorite color?
No color exists alone, like a note in a music
composition
or a frame in a movie *
I may say, a blue pen. You will say its cobalt one,
placed on a green topic, actually a sap green,
with one corner covered by a red apple, a symbol **
Well, maroon with salmon speckles;
Supported by a piece of yellow cheese, the kind
with holes.
Swiss cheese, we would say to simplify ***
to communicate better, or faster.
Precise description of a color may confuse,
make conversation longer, less interesting,
or even destruct it; change the meaning of what
we are saying,
like shouting or whispering.
Leave it to a painter.
A small change makes a big difference.
We all know about the origins, uses, abilities, or
problems.
It's faster and more efficient to classify, and find
order and importance
knowing what to expect from a person
or from an object for each situation.
We have a saying, a sentence, a word or, much
simpler, a gesture.
A vocabulary of symbols makes us well rounded
only if we know how to apply our handy simpli-
fications.
See Table 1 for Your Visual Response.
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