Graphics Reference
In-Depth Information
A page from the score of
Gilbert and Sullivan
and its corresponding bar sheets.
have to move every frame. Series work teaches you what is important. The sheer mechanics,
the timekeeping, working as part of a crew and those responsibilities are invaluable things
to learn. Working alone can be extremely indulgent, and most of us have probably imagined
animation as a rose-tinted bohemian existence, coming and going as we please, doing a frame
here and there. I would hate that, as I thrive on relentless pressure. There is a notion that stop
motion is a solitary art, with etiolated geeks pottering away in rooms full of toys.
Perhaps there are elements of this, but most people work well when bouncing
of others. I didn't always, and saw this as interference, but I now very much
welcome other people's informed input. Being challenged is a good way to feel
sure about a piece of work. One of the director's roles is to have the answers. As
each department focuses on its particular aspect, the director has the vision to see
everything, justifying everything.
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